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在上世纪80年代末90年代初,我国电视界出现了一场“新纪录片运动”。之所以这样称呼,原因在于它首次主动地从主流意识形态中剥离出来,将镜头对准社会底层,关注弱势群体,关注社会边缘中的人。创作者将自己的理想,自己对社会的理解寄托在这种默默的记录行为上,并创造了许多优秀的作品。值得一提的是分别在1990年和1991年出炉的两部作品《流浪北京》(吴文光)、《望长城》(刘效礼)。这两部片子从根本
In the late 1980s and early 1990s, there was a “new documentary movement” in the television industry in our country. The reason for this is because it is the first time that it has been actively stripped from the mainstream ideology, targeting cameras at the bottom of society, paying attention to vulnerable groups and paying attention to people on the margins of society. Creators pin their own ideals, their own understanding of society in this silent record of behavior, and created many excellent works. It is worth mentioning that two works, “Wandering Beijing” (Wu Wenguang) and “The Great Wall of China” (Liu Xiaoli) were released in 1990 and 1991, respectively. These two films fundamentally