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文化置换作为当代文化生态构建视域下的景观之一,可以说是文化现代化宏观进程中的阶段性微观变迁,体现的是文化的现代性在内部生成与外部塑造的正面交锋,从历史角度看是建基于现代工业体系基础上的现代文明对工业生产体系之前的文明形态的一种“以逸待劳”式的入侵,是后者“被迫自愿”的接纳,从空间地理角度看,是处于工业生产体系中新的文明形态对待处于边缘地位的文明形态的自觉的、有组织的覆盖。对于这种效应的态度定位,构成了本研究的立足点,并以西南民族音乐为研究对象和验证载体,进一步确定这种文化的认知、诊断和治理的原则和方向。
As one of the landscapes under the construction of contemporary cultural ecology, cultural displacement can be said to be a stage-based micro-change in the macroscopic process of cultural modernization, reflecting the positive confrontation between the modernity of culture and the external shaping within the modernized culture. From a historical perspective Is based on the modern industrial system based on the civilization of the pre-industrial civilization of the state system of a “to wait for labor ” type of invasion, the latter “forced to voluntarism ” acceptance, from the perspective of space geography, It is a conscious, organized cover of the new forms of civilization in the industrial production system towards marginalized forms of civilization. The orientation of this kind of effect constitutes the foothold of this research. Taking the Southwest folk music as the research object and verification carrier, the principles and directions of cognition, diagnosis and treatment of this kind of culture are further confirmed.