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帕慕克以《群魔》中的斯塔夫罗金、彼得为原型,塑造了《雪》中的恐怖分子神蓝,但两位作家的写作动机却迥异,一是为了辩证地分析、批判恐怖主义,一是在图解“自由意志”哲学的破产—在某种意义上,《群魔》预言了唯我中心主义、物欲横流、精神空虚、道德相对主义等“现代性”危机。19世纪下半叶的俄罗斯和20世纪下半叶的土耳其都处在“东方还是西方”的历史十字路口,理性文明的扩散、普世化给其他文明造成了阴影,陀思妥耶夫斯基建立了土壤派,帕慕克却赞成温和的西化主义。最终,两人在神秘主义与“爱”这一宗教观念中发生交汇,共同用笔开创出了一条幸福之路。
Pamuk used Stavropin and Peter in The Demons as a prototype to create the “god of darkness” in the snow. However, the two writers have very different motives for writing. First, to dialectically analyze and criticize Terrorism is, first, in the insolvency of the philosophical “free will” - in a sense, the “demons” predict the “modernity” of only egocentrism, materialism, spiritual emptiness and moral relativism. crisis. Russia in the second half of the 19th century and Turkey in the second half of the 20th century were all at the crossroads of history of “East or West.” The proliferation of rational civilizations and universalization have created a shadow over other civilizations. Dostoyev Szyki founded the soil school, but Pamuk favored moderate westernization. In the end, the two met in the religious concept of “my love” and “love,” and they jointly created a road of happiness.