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关于中国戏曲之当代命运,业经多年聚讼,兴耶?亡耶?至今仍众说纷纭。唯危机二字,论者共识耳。然危机所自何来,则依旧各执一词,莫衷一是。窃以为,戏曲之危机,非仅自身之危机,实乃中国固有文化危机之一端也。传统文化如皮,戏曲乃依附其上之毛,皮之不存,毛将焉附?孔尚任于《桃花扇·小引》尝云:“传奇虽小道,凡诗赋、词曲、四六、小说家,无体不备。至于摹写须眉、点染景物,乃兼画苑矣。其旨趣实本于“三百篇”。而义则《春秋》,用笔行文又《左》、《国》、大史公也。”故戏曲本源于传统文化,前人之述备矣。联想近代以来,文衰道弊,国运不昌,国人把自身之不肖与失败,归咎于本民族之历史文化。数代优秀知识分子以唱衰国史、辱骂祖宗为荣,全无一点“温情与敬意”。自“五四”肇
With regard to the contemporary fate of Chinese opera, after many years of court proceedings, Hye Young-ji is still controversial. Only the word crisis, the reader consensus ear. However, when the crisis came from, the two still held the same statement. Steal that drama crisis, not only its own crisis, is actually one of China’s inherent cultural crisis also. Traditional culture such as skin, opera is attached to the hair on it, the skin does not exist, the hair will be attached? Kong Shang Ren in the “Peach Fan small cited” taste cloud: “Legend of a trail, where poetry, poetry, novels Home, body without body .As for the discerning eyebrows, point-dyed scenery, but also painted palace carry on its purpose is actually in the ”three hundred.“ And the meaning of ”Spring and Autumn“, with pen and writing ”left“, ”country“ Great history of the public also. ”Therefore, the origins of traditional opera culture, the predecessors of the preparedness carry on. Since the modern era of Lenovo, the ideological and political rebellion has brought about the bad fortunes and the unfair fortunes of the country. The Chinese people blamed the history and culture of their own nation for their unscrupulousness and failure. Several generations of outstanding intellectuals to sigh bad history, insulting ancestors proud, with no “warmth and respect.” Since the “May Fourth” Zhao