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古代端砚讲究实用与美观并重,而现代端砚基于时代的变迁,砚台已不再是书写的主要用具,其观赏性、艺术性相比古代有所加强;其次,古代端砚的使用只流行于社会上层,故艺术风格多表现为皇家的高贵、祥瑞,或表现为文人雅士钟情的中庸、简洁。而现代端砚的艺术风格无论在装饰题材、制作手法和造型设计上均有所拓宽。中国近代战乱频仍、经济凋敝,加之书写习惯的变革,导致传统的端砚制作一落千丈、萧条冷落。新中国成立后,政府把流散的端砚艺人组织起来,并成立端砚厂,打破传统端砚制作在家族中父子相传的行规,使得砚雕能手不断涌现,为端砚的蓬勃
The ancient Duan Yan paid attention to both practicality and beauty, while modern Duan Inkstone was based on the changes of the times. The ink stone was no longer the main instrument of writing. Its ornamental and artistic features were strengthened compared with the ancient times. Secondly, the use of ancient Duan Yan only prevailed in the upper class, Therefore, the artistic style of the royal performance more noble, Auspicious, or the performance of the gentleman’s gentleman love the golden mean, simple. The artistic style of modern Duan Yan both in decorative themes, production techniques and design have been broadened. The frequent wars in modern China, the economic slump and the change in writing habits led to the traditional Duan Yan plummeted and the recession slumped. After the founding of New China, the government organized the dispersed artists of Duan Yan and set up the Duan Ink Factory to break the traditional rules of making duan-yan in the family, making the dying of ink-daggers continue to flourish for Duan Yan