论文部分内容阅读
进入二十一世纪的中国传统戏剧,普遍面临与时代脱节,与观众疏离,甚至个别剧种出现生存危机的尴尬,如何使这一古老的,民族的优秀文化焕发青春,跟上时代,走近观众,便成了传统戏剧所有从业者最大的课题。而改革创新,才是做好这个课题的最好方法。广州粤剧团演出的大型古装粤剧《花月影》,锐意改革创新,为做好这道课题有很多值得重视的经验。试论如下: 一、在传统的戏剧故事框架下,努力开掘主题思想、人物形象的审美含量及现代意识,使作品更有新意,更贴近时代。
The traditional Chinese dramas entering the 21st century generally face the embarrassment of being out of touch with the times and alienating from the audience, and even the crisis of survival of individual operas. How to make this ancient and national excellent culture glow youth, keep up with the times and approached the audience , Has become the biggest issue of all practitioners of traditional drama. The reform and innovation, is the best way to do this task. Guangzhou Opera Troupe performed large-scale costume Cantonese opera “Hua Yue Ying”, determined to reform and innovation, to do a good job in this topic there are many worthy of experience. As follows: First, under the framework of the traditional drama, we should work hard to dig out the aesthetic content of the theme and characters, and make our works more innovative and closer to the times.