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我第一次看雷英的戏,是在天津去年3月举办的“张派艺术展览演出”期间。那次她演的是《春秋配》。当时雷英刚刚拜了张君秋先生,可想而知,张先生还来不及手把手地教她。据说,腔是雷英自己从录音中学的,演出前由蔡英莲老师给她说了说路子,就这样,雷英堂而皇之地步入了张派艺术殿堂。因为了解这个内情,看雷英演出的时候,我几乎是抱着宽宥的态度。然而,随着剧情的进展,我的宽宥渐渐地变成了赞叹——她的身段规矩大方,表情生动、细腻,用京剧行话来说,不是那种“小家子气”。行腔的味道、劲头、气口当然不能用张派的标准衡量,但可以听出她在往张派的风格上靠。应该指出的是,台上雷英做戏,台下的观众席中却坐着她的老师张君秋、谢虹雯,还有那与张君秋长期合作、对张派艺术素有研究的刘雪涛、郭元祥、高宝贤、何顺信、张似云、郝友等老师,张君秋的众多弟子也在其内,蔡英莲则在后台监督把场。那气氛对于一个初探张派门径的雷英来讲,可是够紧张的。然而,雷英却从容不迫地圆满结束了演出。应该说,雷英在台上演出了人物,也演
The first time I saw Ray Ying’s play was during the “Zhang School Art Performance” held in Tianjin in March last year. That time she played is “spring and autumn with.” At that time, Raymond just met Mr. Zhang Junqiu, we can imagine, Mr. Zhang was too late to teach her. It is said that the cavity is Lei Ying himself from recording middle school, before the performance by the teacher Tsai Ying-lien said to her that way, so, Lei Ying Tang into the Palace of Fine Arts. Because of this inside story, to see Ray Ying performances, I almost hold the forgiving attitude. However, with the progress of the story, my tolerance has gradually become a compliment - her elegant posture, vivid expression, delicate, with Peking Opera is not the kind of “petty”. The taste, momentum, and exasperation of course are not measured by the standards of the Zhang dynasty. However, we can hear that she is leaning on the style of Zhang dynasty. It should be pointed out that on stage, Lei Ying performed the audience in the audience, but her teacher Zhang Junqiu and Xie Hongwen still had long-term cooperation with Zhang Junqiu and Liu Xuetao, Guo Yuanxiang and Gao Baoxian He Shunxin, Zhang Jiyun, Hao You and other teachers, Zhang Junqiu’s many disciples are also in it, while Cai Yinglian is supervised in the background. That atmosphere is a bit nervous for Raynin, who has been trying to find a way out. However, Ray-Ban was calmly conclude the performance. It should be said that Ray Ying performed on the stage, also performed