论文部分内容阅读
习书以来,我深知临帖为不二法门,故心追手摹,不敢有丝毫懈怠。就章草而言,数年的临习与创作实践,我越发感觉要把章草写出韵味很不容易,把章草作品写大更不容易。把握不好就失古意,失法度,这是个难题。对很多人而言,章草往往是描摹、拟古的创作思路,笔法的单一与重复也体现在磔笔上。这也正是章草的难度所在,表达好这一笔,作品的味道就纯正了。在日常的书法学习中,我还特别注重对碑版铭文的临习,
Since the book of learning, I know that temporary posts as the only way, so heart chase copy, not slightest slack. In the case of Zhangcao, a few years of internship and creative practice, I feel more and more feel it is not easy to write the charm of the chapter, the chapter writing is not easy. Bad grasp of the ancient meaning, loss of law, this is a problem. For many people, Zhang Zhang is often traced, the ancient creative ideas, writing is also reflected in the simple and repetitive. This is also the difficulty of Zhang Cao, express this sum, the taste of the work is pure. In my daily study of calligraphy, I also paid special attention to the inscriptions on the inscriptions,