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(一) 圖案:什么是圖案?这一問題的提出,并不是斤斤計較詞句的注解,企圖一来就給圖案下一个确切不移的定义。而是想从确定我們研究的对象的本質开始,这对于无論研究任何对象的理論是比較适宜而合理的。要确定圖案的本質,必須首先了解圖案的特性。圖案的特性在于它既是艺术中的一个品种,又包含有許多科学的成份,而在設計上要受到一定的局限——每幅圖案必須結合器物的性能和生产条件来考虑。就現阶段的圖案设計工作来說:它是要以社会主义現实主义的美学原則作为构思基础,不断的对
(A) pattern: What is the pattern? The issue is raised, not preoccupied with the sentence note, in an attempt to give the pattern the next one does not move the definition. Instead, I want to start with determining the essence of the object we study, which is more appropriate and reasonable for the theory of any subject. To determine the nature of the pattern, you must first understand the characteristics of the pattern. The characteristic of the pattern is that it is not only a species of art, but also contains many scientific elements, and its design is subject to certain limitations - each pattern must be combined with the performance of objects and production conditions to consider. As far as the pattern design work at this stage is concerned, it is based on the aesthetic principle of socialist realism and constantly on