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地域文化学,作为一门独立的学科在我国尚属空白区。但令人高兴的是,这门学科于八十年代已经起步了。如“关东戏剧”这一口号的提出,就表明了理论家们对于建立关东戏剧这一地域文化理论研究的浓厚兴趣。文化所呈现出的地域性总是以其区域性为特征的。国外的理论家通常把亚州地区的文化称为“东方三大文化区域”——即“阿拉伯文化区域”、“印度文化区域”、“中国文化区域”。这种世界性的文化区域划分,还可以从欧州地区文化中看到,如“就民族学角度来看,欧州音乐扎根于三个文化区域。它的确切分界还不肯定。北方有斯堪的那维亚
Regional culture, as an independent discipline in our country is still a blank area. However, it is gratifying that this discipline has started its course in the 1980s. The introduction of the slogan “Kanto Theater” shows that theorists are keenly interested in establishing the theory of regional culture in the Kanto drama. The culture’s geographical representation is always characterized by its regional character. Foreign theorists often refer to the culture in the Asian region as the “three major oriental cultural regions” - the “Arabian Cultural Region”, the “Indian Cultural Region” and the “Chinese Cultural Region.” This kind of worldwide cultural regionalization can also be seen from the culture of the European region. For example, “in terms of ethnology, European music is rooted in three cultural regions and its exact boundary is not yet certain.” Scandinavian Niavia