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主持人语当下美术界仍在不时提及两大命题:水墨画的当代性和油画的民族性,其实都是上世纪的老话题,两者的实质还是一个绘画艺术的创新问题。当然“创新”是艺术的永恒话题,然而不是毛笔下画了现代都市、油画布上绘出中国农民就一了百了。当代绘画的创新发展不只是现代社会外来文化与本土传统的融汇,也不单是画家主体与客观生活的磨合,而创作理念和表现语言发生蜕变才是最为重要的。
Moderator Language Today, the art world still mentions two major propositions from time to time: the contemporary nature of ink painting and the ethnicity of oil paintings are actually the old topics of the last century. The essence of both is still an innovative issue of painting art. Of course “innovation ” is the eternal topic of art, but not painted under the brush of a modern city, painted on canvas cloth Chinese farmers will never forget. The innovation and development of contemporary painting is not only the integration of exotic culture and native tradition in modern society, nor is it just the running-in of the main body and the objective life of the artist. The transformation of the creative concept and expression language is the most important.