话剧上海三

• 作 者: 胡宇锦
• 出 处: 上海戏剧
• 发表日期: 2007年12期
• 关键词: 剧场演出 台下观众 高额成本 海派 猫头鹰 沙叶新 留守女士 话剧艺术 话剧舞台 赵耀民

小中见大小剧场大市面80年代中期以后,话剧陷入低谷,剧院空空荡荡、剧团冷冷清清。话剧一向在上千人的大型剧场演出,但如今观众如潮、剧场满座的盛况难再,甚至出现了台下观众比台上演员少的情景。而在大剧场演出的高额成本,也使剧团越来越难以承受。以小制作、小剧场来缩小演出规模和成本,成为话剧继续生存下去的必然选择。

After the mid-1980s, the drama plunged into the bottom, the theater was empty and the theater was deserted. The drama has always been performed in the thousands of people in a large theater. However, audiences nowadays are in full swing, and the theater is full of spectacular scenes. There is even a scene where audience members are less than stage actors. The high cost of performing at the Grand Theater also made the troupes more and more unbearable. To small production, a small theater to reduce the size and cost of performance has become an inevitable choice for the continued survival of the drama.