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装裱工序及技法各种体式的装裱工序不完全相同,而且“千个师傅千个法”,各个人的装裱方法也有区别。根据我们的经验,挂轴一般有八道大的工序。(一)制糊明人周嘉青讲:“墨以胶成,裱以类糊”。制糊、用糊与书画装裱质量密切相关。因此,制糊用糊是裱画的基本功之一,务必精通,掌握规律。调制浆糊的方法很多,目前最常用方法是:用优等面粉与凉水相调,成稀糊状,不能有干面结粒。盛于干净的钢精锅内,用文火加温,内放少许明矾,一边加温,一边不停地搅拌,搅拌越多,糊性愈强,微见透明,即熟。去火冷却后,加冷水养起来备用。这里的熟,是七八成熟,不是全熟。一定要掌握好火候,过火或欠火都会减少粘
Framing procedures and techniques of a variety of body mounting process is not exactly the same, and “a thousand thousand master”, each framing method is also different. According to our experience, hanging shaft generally has eight large processes. (A) system masters Zhou Jiaqing said: “ink to plastic, framed to paste.” System paste, paste and paste the quality of the mounting is closely related. Therefore, paste paste paste is one of the basic skills, must be proficient, master the law. Modulation of the paste a lot of ways, the most commonly used method is: with excellent flour and cool water phase, into a thin paste, can not have dry noodles. Contained in a clean steel fine pot, with gentle heat, put a little alum, while warming, while constantly stirring, stirring more paste stronger, slightly transparent, that cooked. After going to the fire to cool, add cold water to raise up spare. Here’s cooked, is seventy-eight mature, not all-cooked. Must master the heat, over or under fire will reduce sticky