论文部分内容阅读
绘画是造型艺术,造型就是通过人的主观意识和技能创造或塑造的形象。造型能力越强越便于画家塑造物象和深化画面内涵,越利于画家作更多的思考和变法。中国写意人物画从简到繁,又从繁到概括到意写,经过一个漫长的反复的演变过程。然而,在这漫长的过程中,“造型”始终扮演着重要角色,并推动着中国写意人物画的“笔墨”不断向前发展。今天我们谈现代,谈当代,谈传统,谈发展等众说纷云,但关于写意人物画笔墨与造型关系问题,特别是造型作用于笔墨问题,似乎很少专门去谈,因此,我觉得有必要就
Painting is the art of modeling, and modeling is the image created or shaped by the subjective consciousness and skill of man. The stronger the modeling ability is, the easier it is for the artist to shape the image and deepen the connotation of the picture. The more the artist is, the more he thinks and changes the method. Chinese freehand painting from simple to complex, but also from the general to the Italian summary of writing, after a long period of repeated evolution. However, in this long process, “modeling ” has always played an important role in promoting the development of “ink and wash ” in Chinese freehand painting. Today we talk about modern times, talk about contemporary times, talk about traditions and talk about developments. However, it seems that there is little need to talk about the relationship between writing and painting, on