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近日奉利铭君嘱,读了《刘广文隶书作品集》,眼界大开,深为广文君的探索精神所感动。广文君的隶书作品风貌,数一数,不下十种,目不暇接,可谓能文能武。其中至少有三种我是喜欢的。第一种是文的,即理性的陈述。如其小字作品《心经》和苏轼《前赤壁赋》。这一类作品通过他长年的研习、吸收,经过睿智的思考和选择,嫁接了汉隶与清隶相联系的内质,融合了隶书与篆书的笔法,解构了隶书原本意义上的横势,从而形成了属于自我的一套艺术符号。因此,这一类作品凸显的是文雅与平和,具有理性意义和陈述的功能。同时,作者的情感也像一条小溪,在此汩汩流淌。
Recently, Feng Ming Mingjun Zhu, read the “Liu Guangwen official book portfolio”, vision, deeply Guangwenjun exploration spirit touched. Guangwen Jun’s official style of writing works, counting a few, no fewer than ten, dizzying, can be described as Wenwennengwu. At least three of them I like. The first is the text, that is, rational statements. Such as its small writing “Heart Sutra” and Su Shi “former Chibi Fu.” Through his long years of study, absorption and wise thinking and selection, this type of work grafts the inner qualities associated with the Qingli in Han and Li, combines the techniques of the official script with the seal script, and deconstructs the original transverse trend of the official scripture , Thus forming a set of artistic symbols belonging to self. Therefore, the works of this category highlight the functions of gentle and peaceful, rational meaning and presentation. At the same time, the author’s emotions are also like a stream, flowing in this staggering.