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画了不少年的画,也获了不少的奖,而至今艺术上让我为难的仍旧是些最基本的问题:怎么画?画什么?尤其是现在,惹出点名气,就更是无所适从,更不知该如何画了！ 我出生于六十年代,和许多的同龄人一样成长于“批林批孔,反击右倾翻案风,打倒四人帮和改革开放”的时代,生活、学习在这样一个多事的时期,艺术上又刚好“卡”在新老之间,既学得了一手学院的好手艺,同时又生活在当代,受着传统文化和现代文明的双重教化,不上不下,不伦不类,左右都不得其位。用传统标准衡量,我们欠缺相应的知识水准。文化品质和修养,而融入当代又缺乏足够的自信。开放的心态和开放的价值观念。更尴尬的是,随着艺术的不断发展,精湛的技艺已逐步
Draw a lot of years of painting, but also won a lot of awards, but so far the art of my embarrassment is still some of the most basic issues: how to draw? Painting what? Especially now, arouse his reputation, even more apathetic , But I do not know how to draw! I was born in the 1960s and, like many of my peers, grew up in the era of “criticizing Lin, criticizing the rightist overthrow case, overthrowing the Gang of Four and reforming and opening up.” In a period of such a complicated event, I was just fine in art Between the old and the new, the “card” not only learns the good craftsmanship of the first-hand college, but also lives in the contemporary era. It suffers from neither the traditional nor the modern culture because of the double education of traditional culture and modern civilization. With the traditional standard, we lack the appropriate level of knowledge. Cultural quality and self-cultivation, and into the contemporary lack of sufficient confidence. Open mind and open values. More embarrassing is that with the continuous development of art, superb skills have gradually