中国传统园林可否如此的观法

• 作 者: 田芃 王晓炎 田朝阳
• 机 构: 苏州园林设计院,河南农业大学林学院,
• 出 处: 南方建筑
• 发表日期: 2017年03期
• 关键词: 中国传统园林 观景器 “境” 传统造园 造景手法 模件 《园冶》 建筑家 计成 漏景

“观法”是一种认知的方式,其中潜藏的是思维方式。现代“观法”中,园林被视为山、水、植物、建筑4个自明要素组成的无整体目标的体系。文章试图依据王澍的“观想”心智,重返传统语境,复建以“意境”为整体诗意目标,以“景”、“环境”、“路径”和“造景手法”4个互成性的构成要素为关键词的传统造园“观法”理论体系。将这一“观法”体系的要素——景、环境、路径、造景手法转化为景、置景器、连景器和观景器,并使之模件化,探索中国传统造园的模件化可操作性。

“Viewpoint ” is a cognitive approach, which is hidden in the way of thinking. In the modern “concept of law ”, the garden is regarded as a system without integral goal consisting of 4 self-evident elements of mountains, water, plants and buildings. The article attempts to revert to the traditional context based on Wang Shu ’s concept of “vision ”, rebuild “the mood ” as the overall poetic goal, “scenery ”, “environment ”And“ landscape techniques ”four elements of interoperability as the key elements of the traditional garden “ concept ”theoretical system. Transform the elements of scenery, environment, path and landscape into landscapes, viewfinders, even viewers and viewers, and make them modularized to explore the traditional Chinese construction Park modular operational.