绘画色彩的基本规律

• 作 者: 张芷民
• 出 处: 西安美院学报
• 发表日期: 1982年02期
• 关键词: 绘画色彩 色彩美 列维坦 造形 艺术形象 不可知 一幅画 德拉克罗瓦 后期印象派 色块

自文艺复兴以来,艺术家都一致把素描看成是造形艺术的基础,那么,作为彩色绘画它的重要基础应当是色彩。 色彩是否有它的规律性,长时期内一直是不少画家争论的重要课题。有人认为色彩并不存在什么共同的普遍规律,绘画中的色彩只需凭自己的感觉和趣味就可以创造出美的色彩,这实际上是承认色彩规律是“不可知”也“不可教”的,有的甚至认为绘画色彩的创造,只有“天赋”的特殊色彩感觉,

Since the Renaissance, artists have all along come to regard sketches as the basis of the art of form, so its important foundation as a color painting should be color. Whether the color has its regularity has been an important issue that many painters argue over a long period of time. Some people think that color does not exist any common law, the color of painting only by their own feelings and interests can create a beautiful color, which is in fact recognized that the color law is “unknown” and “can not be taught” Some even think that the creation of painting color, only the “natural” special color feeling,