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“宣言”(Declaration)是巴迪欧著作及相关研究中经常出现的概念,它虽不像“真理”、“事件”等范畴占据着巴迪欧哲学思想的核心,然而这一并非独创的、亦未被严格界定过的概念却为我们提供了一个全新的切口。一方面,“宣告”作为一种政治性的象征,拒绝与艺术、数元、爱等巴迪欧设定的真理程序缝合,在与西方马克思主义传统息息相关的当代法国左翼思潮中,展现出艺术、哲学与政治的某种特殊张力;另一方面,“宣告”作为一种话语行为,又带有巴迪欧“非美学”思想的印记,作为一种“真理”在哲学中最终的完成形式,其自身带有隐喻性的诗学特质,因此,这一概念直接为巴迪欧思想打通了一条“审美”渗透的通道,将“非美学”的美学问题与哲学问题、政治问题关联在一起。因此,本文试图通过讨论这一穿梭于巴迪欧多层次论述的概念,通过这一概念的政治性、未来性以及真理姿态的隐喻性,提供一个观察巴迪欧及当代法国激进哲学思想的新视角。
“Declaration ” is a concept often found in the works of Badiou and related researches. Although it does not occupy the core of Badiou’s philosophical thought like the category of “truth ”, “event This concept, which is neither original nor strictly defined, gives us a completely new cut. On the one hand, ”Declaration “ as a political symbol refuses to be stitched together with the truths set by Badiou in art, numbers, love, etc., and appears in the contemporary French left-wing ideology closely related to the Western Marxist tradition On the other hand, ”declaration “ as a kind of discourse behavior, with Badiou ”non-aesthetic “ thought imprint, as a ”truth “The final form of completion in philosophy has its metaphorical poetic qualities. Therefore, this concept directly opens up an” aesthetic “infiltration channel for Badiou’s thinking and changes” non-aesthetic " The aesthetic problems are related to the philosophical and political issues. Therefore, this article attempts to provide a new metaphor for the political, futuristic and truth-based metaphor of this concept by examining the concept of shuttleism at the level of Badiou multidimensionalism and to provide a new perspective on the radical philosophical thinking of Badiou and contemporary France Perspective.