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自“五四”以来,现代文人的“西游”以及“走丝路”“走西口”现象值得我们关注。茅盾等人不仅到过新疆、西安、延安等地,而且在这些地方工作的同时还写作不辍。鲁迅生前虽然没有到过延安,但在延安依然有巨大影响;鲁迅更没有到过新疆,却也对新疆文学包括维族文学产生了深刻影响。鲁迅的“西游”是文学传播、精神影响意义上的文化现象,跨地跨族的现当代文学的“血脉”是相通的。通过鲁迅对维吾尔族当代著名作家买买提明·吾守尔的影响,尤其是通过短篇小说讽刺艺术的比较分析,可以看出鲁迅文学艺术在新疆的深远影响以及吾守尔等新疆作家对鲁迅的接受情况,同时也可以看出两位作家在讽刺艺术上的异同,这有助于人们对其短篇小说讽刺艺术有一个更加清晰的认识和了解。
Since the May Fourth Movement, modern literati ’s “Journey to the West ” and “walking on the road ” “walking west ” phenomenon deserve our attention. Mao Dun and others have not only been to Xinjiang, Xi’an, Yan’an and other places, but also work in these places while still writing. Although Lu Xun did not visit Yan’an during his lifetime, he still had a great influence in Yanan. Lu Xun never visited Xinjiang even though he had also had a profound influence on Uyghur literature in Xinjiang. Lu Xun ’s “Journey to the West ” is a cultural phenomenon in the sense of literary communication and spiritual influence. The “blood” of modern and contemporary literary works across different ethnic groups is interlinked. Through the influence of Lu Xun on the study of the Uighur famous contemporary writer Bu Ming Bu Wu Ming and Wu Shoulou, especially through the comparative analysis of the satirical arts of short stories, we can see the far-reaching influence of Lu Xun literature and art in Xinjiang, The similarities and differences between the two writers in their satirical art also help to make people have a clearer understanding and understanding of the satirical art of their short stories.