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翻开李泽厚同志的《美学四讲》(三联书店1989年版。下引此书,只注页码),随处可以见到一个“新”的提法,即所谓“新感性”。他说,他所提倡的“人类学本体论美学”,其美感论的“主题”就是“建立新感性”(47页)。他又说,“建立新感性也就是建立起人类心理本体,又特别是其中的情感本体”(110页);所谓新感性,就是“对人类生存所意识到的感性肯定”(123页),就是“使‘性’变成‘爱’”(124页)。他更概括地说,“人类新感性的建构”,乃是“由马克思回到康德再向前行进”(154页)。在该书的结尾,他还呼喊道:“情感本体万岁,
Open the “Four Aesthetic Lectures” by Comrade Li Ze-hou (Joint Publishing 1989 edition, quoted under this book, only page number), you can see everywhere a “new” formulation, the so-called “new sensibility.” He said that the “theme of aesthetic theory of anthropology” advocated by him is “establishing new sensibility” (p. 47). He added: “The establishment of new sensibilities also means to establish the human psychological body and, in particular, the emotional body therein” (p. 110); the so-called new sensibility is “the perceptual affirmation of human existence” (p. 123) It is “to make ’sex’ into ’love’” (p. 124). More generally, he states that “the construction of a new sense of humanity” means “moving forward from Kant and back to Kant” (p. 154). At the end of the book, he shouted: "Long live emotional body,