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上世纪70年代末80年代初,中国进入了“文革”后的新时期,至今已经是三十多年。在这三十多年里,中国社会发生了剧烈的转型,反映在文艺学领域亦是如此,无论是文学研究观念还是方法,都有了较大的变化。在我看来,总体而言,这一期间的文艺学发展经过了由一到多,再由多到合的艰难历程。即由改革前的“反映论”一家独大,主导文坛到上世纪80年代“主体论”、“审美论”等流派的百家争鸣、众声喧哗式解说再到上世纪90年代后,在观念分化、多元竞争的基础上,渐次呈现出来的是一种走向交流对话、综合创新的发展态势。
In the late 1970s and early 1980s, China entered the new era after the “Cultural Revolution,” which is now over 30 years old. In these thirty years, there has been a drastic transformation in Chinese society, as reflected in the field of literary studies, and great changes have taken place in both literary research concepts and methods. In my opinion, on the whole, the development of literature and art during this period has gone through a difficult journey from one to many and from more to more. From the pre-reform “reflection theory ” a dominance, the dominant literary world to the 1980s “subject theory ”, “aesthetic theory ” and other schools of thought of the hundred schools of thought, all the noises to explain to the 90s of last century After graduation on the basis of ideological differentiation and pluralistic competition, it gradually emerged as a trend of development toward exchange and dialogue and comprehensive innovation.