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本文以1998-2009年间香港电影金像奖最佳影片为主要研究对象,以CPEA计划的签订为研究点,从角色设定、对立元设定等方面研究这12部影片在叙事结构上的变化。
Taking the best film of the Hong Kong Film Awards for the period 1998-2009 as the main research object and the signing of the CPEA program as the research object, this paper studies the changes in narrative structure of the 12 films in terms of role setting and counter-argument setting .