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女性写作古已有之。从古代妇女“冷冷清清凄凄惨惨戚戚”的自发悲泣,到追求自由、平等、尊严,渴望成为男性的呐喊,女性写作完成了第一次否定,迈出了走向自身解放最初的、也是最艰难的一步、勿庸置疑,女性的这一觉醒离女性的最终解放距离尚远。这第一次否定只是打破了认同男性原则的恶性自律,并没有显示有别于男性的女性特征,而是以失落女性自己为代价,这一方面是男权话语中心地位压抑女性语言,一方面是女性由于遭受了太多的苦难对自身性别难免归咎。总之,这第一次飞跃尚未显示个人话语的清晰,还需突破主流话语的强大覆盖和公共话语无情的浪潮,在“民族寓言”书写的基础上前行。那么,90年代女性话语的复归就是这一使命的充分体现,尤其是躯体语言文本的大胆探索。
Female writing has existed since ancient times. From the spontaneous weeping of the ancient women’s “desolation of miserable grievances” to the pursuit of freedom, equality, dignity and the desire to become men, the female writers completed the first negative and took the first and most important move towards their own liberation Difficult step, no doubt, this awakening of women from the final liberation of women is far away. This first rejection only broke the vicious self-discipline that affirmed the principle of men and did not show the characteristics of women as distinguished from men, but at the expense of the lost women themselves. On the one hand, the central position of patriarchal discourse suppresses the language of women. On the one hand, It is inevitable for women to blame for their gender because of too much suffering. In short, this first leap has not shown a clear definition of personal discourse, yet it needs to break through the powerful coverage of mainstream discourse and the ruthless wave of public discourse, and proceed on the basis of the writing of “national parable”. Well, the return of female discourse in the 90s is a full manifestation of this mission, especially bold exploration of body language texts.