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也许是偏爱文学上的人物描写,多年来我都喜欢油画人物创作,一直把人物刻画当作审美情感的释放对象,而在人物的选择上特别倾向那些带有劳动痕迹的人物。个人一直推崇“劳动最美”的审美信念,假如自己的画面上缺少这种信息传递,我会觉得是一个遗憾。我把在人物创作上的情感也带到风景写生里。选择的景点都必须有人生活过和劳动过的痕迹,有时还特意强调这一点,所以在我的风景写生中鲜有绮丽和赏心悦目的画面,有时还带有一种沉重感。有些朋友一直在笑我,但我依然我行我素,沉醉在平实的对象的描绘之中。
Maybe it is a preference for literary portrayals. Over the years I have always loved oil portrayals. I have always regarded portraits as the release of aesthetic emotions, and in the selection of characters, I particularly prefer those with laboring marks. Individuals have always respected the aesthetic belief of “the most beautifully working”, and I would find it a pity if the lack of such information is passed on my own screen. I also bring the emotions in the creation of figures to landscape painting. Selected attractions must have been living and working through the traces, and sometimes specially emphasized this point, so in my landscape sketch rarely beautiful and pleasing pictures, and sometimes with a heavy feeling. Some friends have been laughing at me, but I still go its own way, immersed in the portrayal of the object of equality.