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四川美术学院雕塑系教授王官乙是当年在四川参与创作大型组雕《收租院》的主要作者之一,对于旅美艺术家蔡国强在48届威尼斯双年展上获大奖的作品《威尼斯收租院》有自己不同的看法。 “复制”、“挪用”等作为后现代主义主要的创作手段,是否会与法律意义上的“著作权”、“名誉权”等概念发生冲突,对于国内的艺术圈来说,还是一个未曾遭遇过的问题。 在学术问题上允许有各种不同的意见,本刊欢迎有兴趣的读者就此问题发表自己的见解。
Wang Guan-b, a professor of sculpture at the Sichuan Academy of Fine Arts, was one of the main authors of the large-scale sculpture collection “Renting Courts” in Sichuan Province in the same year. For the Venice Renting House, a project by American artist Cai Guoqiang who won the 48th Venice Biennale, Have their own different views. Whether “copy” or “misappropriation” as the main creative means of postmodernism will conflict with concepts such as “copyright” and “reputation right” in the legal sense is still not encountered in the art circles in China The problem. All kinds of different opinions are allowed on academic issues. We welcome readers who are interested to express their views on this issue.