如何让流派“流”起来

• 作 者: 郑荣健
• 机 构: 中国艺术报新闻部,
• 出 处: 上海艺术评论
• 发表日期: 2017年05期

流派的价值已不必多说,它确定“自成风格的个人”而区别于文学或其他文艺理论的概念,实际上也明确了戏曲流派以演员为中心、以声腔特色为依据的旨归。但是,对流派“立派”加以认定和梳理固然重要,“流派要‘流’”显然更具有现实意义。

The value of the genre need not say much, it confirms that the concept of “self-styled individual” differs from the concept of literature or other literary theory. In fact, it also clarifies that opera genres are actor-centered and acoustical-based. . However, it is of course important that the school of genre “Lipai ” should be identified and sorted out. It is obviously more realistic for the genre to flow.