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每年想要解读罗兰·加洛斯的新海报都会让人心生徒劳之感,这些艺术家们总用膨胀或者破碎的网球在抵抗人们的诠释,每年的风格都有巨大的差异,比如今年的艺术家迪·罗萨呈现给我们那副塞满了肉红色变体的画面,像怪物史莱克那样让人大吃一惊。任何诠释都会在这样的作品中显得多余。如果说美国和中国的宣传海报都在竭力用极端的方式在靠近主题的话,那么法国人是在永远设法脱离宣传
Every year you want to interpret Roland Garros new poster will make people feel futile, these artists always use the expansion or broken tennis in the resistance of people’s interpretation of the annual style has a huge difference, such as this year’s artist di Rosa showed us the picture stuffed with a flesh-colored variant, as shocking as Shrek. Any interpretation will appear superfluous in such works. If the posters of the United States and China are trying their utmost to approach the theme in an extreme manner, then the French are always trying to get out of the propaganda