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虽然中国的革命文学已经有2000多年的历史,但是随着每一个历史阶段革命任务的完成,革命后文学在具体的现实环境中会因为革命手段的可模仿性而具有双刃剑性质,从而受到警惕、冷落、遮蔽,甚至限制、防范和禁止,以致出现革命后文学的尴尬局面。于是,一种以解构、戏仿、戏说为手段的具备后现代特征的后革命文学应运而生。随着革命的终结或告一段落,后革命文学会在相当长的时间里具有远大的前程。
Although China’s revolutionary literature has a history of more than 2,000 years, with the accomplishment of the revolutionary tasks in each historical stage, post-revolutionary literature in a concrete realistic environment will be subject to double-edged sword because of the imitability of revolutionary means Vigilance, neglect, cover, and even limit, prevent and prohibit, resulting in the post-revolutionary literature embarrassing situation. As a result, a kind of post-revolutionary literature with postmodernist features of deconstruction, parody, and drama as a means has emerged. With the demise of the revolution or the end of the revolution, the post-revolutionary literature will have a great future for a long time.