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曾创作名噪一时《狗儿爷涅槃》的刘锦云在21世纪的剧坛中,风格由凝重至轻灵、由悲郁至戏谑的嬗变,充分反映了一代戏剧名家摆脱历史因袭的重负、政治话语的激烈、纯艺术倾向的艰深,走向轻盈、通俗的一种趋向。“内纠”与“外扩”构筑出的戏剧话语场域让位于“稀释”年代的长袖善舞,浓重的历史感和强烈的批判意识悄然移位于对戏剧原生态的终极关怀,这一美学流变彰显着锦云在新世纪多元化的戏剧生态中的笃定和挚诚,以及对戏剧艺术精神困境的扬弃和省思。
Liu Janyun, who once made the best-of-breed “dog Nirvana” in the 21st century, changed his style from solemnity to frivolity and from sadness to playfulness, fully reflecting the burden of historical masters of a generation getting rid of the heavy burden of history and political discourse Intense, pure artistic tendency of the arduous, light, popular trend. In the field of dramatic discourse constructed by the “Internal Correction” and “External Expansion”, the long-sleeved dance and dance, the strong sense of history and the strong sense of criticism, which are located in the era of “dilution”, are quietly shifted to the original Ultimate care, this aesthetical flow reveals Jinyun in the new century, a diverse drama in the ecological confidence and dedication, as well as the sublimation and reflection on the plight of the theater art.