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未来,这个莫衷一是的概念,在每个人的思维里或许都被赋予了不同的外衣。熟悉张小涛的人或许都会明白,作为一位新媒体艺术家,数字化也是其最擅长的语言方式。此次展览的作品《三千世界》依然延续了艺术家的个人语言,并将其关注的焦点放在微观与宏观、时间与空间、生命与记忆交织的多重世界。在《三千世界》中,张小涛将宏观的宇宙,佛教中中千世界的人类,还有微观世界的蜜蜂构置在同一作品的平面。这些原本并不属于同一空间的“三千”世界,在时间与空间的分解、延展后,循环在了一个多维的虚拟世界。而未来馆作为一个崭新的概念,就像是一个全新建构的开放实验室,使得张小涛重组的数字虚拟世界,与未来馆自身的特性和共性相得益彰。
In the future, this implausible concept may have been given a different gown in everyone’s thinking. People familiar with Zhang Xiaotao might understand that as a new media artist, digitization is also his best language. The exhibition “Three Thousand Worlds” continues the individual language of the artist and focuses its attention on the multiple worlds in which micro and macro, time and space, and life and memory are intertwined. In the “Three Thousands of the World,” Zhang Xiaotao arranged the macroscopic universe, the human beings in the Buddhist world and the bees in the microscopic world in the same work. These “three thousand” worlds, which did not belong to the same space, circulated in a multi-dimensional virtual world after the decomposition and extension of time and space. The Museum of Future as a new concept, like a new construction of the open laboratory, making Zhang digital reorganization of the digital world, and Museum of future own characteristics and commonalities complement each other.