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短短的一部摄影史,事实上就是一部摄影本体的抗争史,通过对摄影自身属性的强调,以获取从世界表象的事实认定和责任的重负中逃离的机会,进入摄影和拍摄者共同促成的互表关系之中。在这个语境中看年轻的摄影师满异的作品,这种抗争尤其明显。满异拍摄了长江三角洲地区(南京、舟山、苏州、上海以及很多记不清名字的地方)的日常事物:残损的墙角、树枝簇拥的小径、没有生气的鱼以及各种真假莫辨的风景。这些日常事物存在于我们惯常所
A short history of photography is, in fact, the history of the struggle of a photography ontology. By taking advantage of its own attributes of photography to gain the opportunity to flee from the burden of factual identification and responsibility of the appearance of the world, Promote the mutual relationship between the table. In this context, the young photographer is full of different works, this struggle is particularly evident. Manifested filming the everyday things in the Yangtze River Delta region (Nanjing, Zhoushan, Suzhou, Shanghai, and many places that do not remember their names): broken corners, trails of branches, unmerciful fish, . These everyday things exist in our habit