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《画刊》:“社会雕塑-博伊斯在中国”这个展的策划过程非常曲折,你参与其中的出发点是什么呢?王璜生:一个是,博伊斯是大师,他所呈现的力量,包括艺术与社会、与体制之间的关系,是值得大家去了解的。而之前国内没有过他的展览,所以希望做这样一个展览,奉献给大家。另外,博伊斯是一个谜一般的艺术家,甚至可以说是“巫师”。他的艺术语言充满多样性,有时候甚至是矛盾的,因此也很丰富。这一切需要具体而真实地接触,展览也是希望给大家提供一个近距离接触的机会。《画刊》:博伊斯的作品
“Pictorial”: “Social Sculpture - Boyce in China ” This exhibition planning process is very tortuous, what is the starting point for your participation? Wang Huangsheng: One is that Boyce is a master, he presented The strength, including the relationship between art and society, and the system is something that everyone should understand. Before the exhibition did not have his home, so I hope to do such an exhibition, dedicated to everyone. In addition, Boyce is an enigmatic artist, even arguably a “sorcerer.” His artistic language is full of diversity, sometimes contradictory and therefore rich. All this requires concrete and real contact, and the exhibition also hopes to provide everyone with a chance to get in close proximity. Pictorial: Boyce’s work