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“体验”与“文学”的血缘关系,这是人所共知的普遍常识。因为,作家从事文学创作,无非是其经验叙事;即便是个人想象力满血复活的虚构叙事,也同样源自作家本人的生命体验,这不仅是作家创作的叙事动因,同时还直接彰显其面对人与自然、人与社会、人与人、人与自身诸种关系的心路历程。当读者或者批评者独自面对鲜活的作品文本时,其实就是受众与作家生命体验的情感共鸣,
“Experience ” and “Literature ” kinship, which is commonly known common general knowledge. Because writers engaged in literary creation are nothing more than their experience narration; even the fictional narration full of blood and revival of individual imagination comes from the life experience of the writer himself. This is not only the narrative motivation of the author’s creation, but also directly reveals the face The mentality of relationships between man and nature, man and society, man and man, man and himself. When readers or critics face the vivid works of the text alone, in fact, is the audience’s emotional experience with the experience of writers,