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自古至今,文学与伦理有着密不可分的关系。在西方,经过20世纪七八十年代的沉寂之后,文学伦理学批评呈复兴之势。本文着意于借鉴西方文学伦理学批评的方法,细读《红楼梦》的37至41回,看作者如何通过其高超的叙事技巧透露作品背后的深层旨意。通过对《红楼梦》37至41回叙事结构及关键意象——菊花的分析,能够发现隐藏在它们背后的一条信息,那就是:怎么样活着是好的?人应该遵循天性,顺应自然,自由自在生存着,不为俗务所缚。陶渊明可以说是此种生活的化身。《红楼梦》中隐含的对这位大诗人的指涉,透露出作者对其生活方式的肯定和诗歌创作的激赏。
Since ancient times, literature and ethics are inextricably linked. In the West, after the silence of the seventies and eighties of the 20th century, literary ethics criticism has been revived. This article is intended to draw lessons from Western literary ethics criticism method, read “A Dream of Red Mansions” 37 to 41 times, see how the author through his superb narrative skills reveal the deep meaning behind the works. Through the analysis of the narrative structure and the key imagery of chrysanthemum 37-41 in A Dream of Red Mansions, we can find a message hidden behind them: How to live is good? People should follow nature, conform to nature and be free Survival, not for customary bound. Tao Yuanming can be said that this embodiment of life. The implication of this poet in “Dream of Red Mansions” reveals the author’s appreciation of his life style and poetic creation.