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如果我们细心地考察一下近几年来的中国电影,我们就会发现:一个熟悉而陌生、清晰而又糢糊的形象:性,开始以一个“走钢丝”人的形象,战战兢兢地出现在人们的面前。她是勇敢的,但在她的腰间还系着一根“保险带”…… 可以这样说,新时期电影对性意识的探索,从一开始,就明显地表现出矛盾的双重倾向:一方面,电影家们的艺术责任感和闯禁区的勇气令人钦佩,出现了一批受到电影界注目的影片,如《湘女潇潇》、《良家妇女》等;另一方面,也表现出了电影家们在探索中不可避免的疑惑与徬徨。
If we carefully examine the Chinese films in recent years, we will find that a familiar, strange, clear and vague image: sex begins to appear as a “tightrope” image in front of people. She is brave, but she also has a “safety belt” on her waist ... So to speak, the film’s exploration of sexual awareness in the new era shows the dual tendency of contradiction from the very beginning: one In terms of film artisans’ sense of responsibility for art and the courage to break the embargo, admirable films emerged that attracted a great deal of attention from the film industry, such as Xiang Xiaoxiao and Liang Liang, etc. On the other hand, they also showed films The inevitable doubts and misgivings of the family in their exploration.