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在19世纪80年代,以塞尚、高更、凡·高为代表的后“印象派”出现。作为后期印象派有成员之一的高更,由于厌倦都市生活和向往异国情调。1891年去南太平洋上的法国殖民地搭希堤岛,多写岛上的风土人情和岛民早已忘怀的古老神话。他用线条和强烈的色块组成的画幅具有装饰风味和东方色彩。他的艺术对后来法国的象征派和野兽派有颇大影响。本文以高更的《我们从哪里来?我们是谁?我们往哪去?》为代表分析,通过对作品的描述以及作品中的各个事物之间的联系,提示作者的创作含义和目的。
In the 1880s, the appearances of “Impressionists” represented by Cezanne, Gauguin and Van Gogh appeared. As a member of the late Impressionist Gauguin, tired of urban life and longing for exoticism. In 1891 to go to the French colonies in the South Pacific take Xi Di, more to write the island’s customs and the island has long been forgotten ancient myths. His frame of lines and intense color has a decorating flavor and oriental color. His art had a considerable influence on later French symbolism and Fauvism. This paper uses Gaunt’s “Where are we from? Who are we? Where are we going?”, Through the description of the work and the connection between the various things in the work, to remind the writer of the meaning and purpose of creation.