论文部分内容阅读
斯科鲁顿的音乐美学思想的基本观点是,声音不是如颜色那样是物质的第二性特质;音乐是一个意图性的客体,只存在于人的感知中;我们在旋律中听到的东西不仅仅是变化而且是运动;声音的世界被组织为类似空间的世界,我们使用空间比喻去描述声音世界,这让我们意识到是什么东西在其中展开;音乐不是再现,因为它没有叙述性内容,音乐是非概念性的艺术,它能够以客观的形式,把意志自身的直接形象呈现给我们;音乐不能以音乐之外的媒介去描述,其内容是真实的,但它是不可言喻的;音乐意义是音乐理解的对象,音乐理解是听者对音调的意图性世界的想象性感知,区别于物质振动和声音;音乐不是语言,它不是用于传达信息,音乐的规则并没有操作在词汇之中。斯科鲁顿的音乐美学思想具有巨大的影响,其关于比喻、音乐意义和音乐本体论等一系列观点在西方学界引起了争鸣。
The basic idea of Skruten’s musical aesthetics is that sound is not a second sexual trait of substance, as color is; music is an object of intent that exists only in human perception; what we hear in the melody It is not just change but movement; the world of sounds is organized into a space-like world, and we use the space metaphor to describe the world of sounds, which allows us to realize what is unfurled in it; music is not reproduction because it has no narrative content , Music is a non-conceptual art that can present us the direct image of the will itself in an objective form. Music can not be described outside the media of music. The content is true, but it is unspeakable. Music Meaning is the object of musical comprehension, which is the listener’s imagination of the intentional world of pitch, which is different from material vibration and sound. Music is not language. It is not used to convey information. The rules of music are not manipulated in words in. Schluuten’s musical aesthetics has a tremendous impact. His series of opinions on metaphor, musical meaning and musical ontology have won controversy in Western scholarship.