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今天,大众传媒改写了文学的生态,对作家这一群体也产生了巨大影响。面对严酷的生存法则和传媒语境,作家身份开始衰落并出现异化,作家与传媒逐渐携手并进,作家“明星化”成为当下文坛的一道特殊风景。作家被关注依靠的不再仅仅是作品,而是传媒对他们的关注程度。文学奖的造势就是传媒与文学合谋的典型例证。在作家创作的自由度越来越高,自主性越来越强的信息时代,作家的社会责任意识却在趋于淡薄,许多作家更关心的是文字操演的技巧、作品的展示价值和经济收益。作家的主体意识急需重建。
Today, the mass media has rewritten the ecology of literature and has had a huge impact on the group of writers. Faced with the harsh law of survival and the media context, writers’ identities began to decline and become alienated. As writers and the media gradually went hand in hand, the writer’s “starvation” became a special landscape in the present literary world. It is no longer just works that writers are focused on, but the media’s attention to them. The literary prize campaign is a typical example of media and literature collusion. In the information age where writers are more and more creative and autonomy is growing, writers’ awareness of social responsibility tends to be weak. Many writers are more concerned with the skills of writing exercises, the display value of works, and the economic benefits . The writer’s subjective consciousness urgently needs reconstruction.