杨佴旻的绘画境界

• 作 者: 水天中
• 出 处: 画刊
• 发表日期: 2006年03期
• 关键词: 安德鲁 白菊花

中国人谈文学、谈绘画,爱讲“境界”。但并不是所有的文学、绘画都有它的境界。因为“境界”指特定的领域和层次,但它是精神和感情的领域和层次。对于在创作中缺乏感情,或者仅仅将绘画视为一种娴熟技艺的画家,是不必谈艺术境界的。从中国传统绘画的技法系统看,杨佴曼显得有一点来路不明,门派不清。但从绘画创作的心态看,杨佴旻却属于继承高雅的中国传统艺术的画家。

Chinese people talk about literature, talk about painting, love about “realm ”. But not all literature, painting has its realm. Because “realm ” refers to a specific area and level, but it is the area and level of mental and emotional. There is no need to talk about the realm of art for painters who lack feelings in their creations, or simply regard painting as a skill. From the traditional Chinese painting technique system, Yang Qiuman seems a little unknown, unknown martial art. However, from the psychology of painting creation, Yang Kui Min belongs to the painter who inherits the elegant Chinese traditional art.