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问题的提出传统戏曲必须与当代意识相结合——这是时代对戏曲艺术的要求,但它的必要性与紧迫性还没有引起戏曲界人们的普遍注意。戏曲与当代意识相结合这一现实问题,如果眼光局限于戏曲界内部是提不出来的。只有在我国实行对外开放、对内进行经济体制改革这样的汹涌潮流中,才可能发现传统戏曲与时代之间的距离。在这个时期,各种文化思想都面临更新与适应的问题。在这样宏大的文化背景下,任何艺术如果要发展都不可避免地要面向当代,面向世界,面向未来;传统戏曲自然也不能例外,何况传统戏曲从当代观众对它的演出的反馈中,发现自身不能适应发展着的时代。要想振兴戏曲,
The Proposition of the Problem Traditional Chinese opera must be combined with contemporary awareness - this is the demand of the times for the art of opera. However, its necessity and urgency have not caused widespread public attention in the drama world. The realistic problem of the combination of opera and contemporary consciousness can not be mentioned if the vision is limited to the interior of the opera circle. Only in the turbulent tide of opening up to the outside world and the reform of the economic system in our country can we find the distance between the traditional operas and the times. During this period, all kinds of cultural ideas are faced with the issue of renewal and adaptation. In such a grand cultural background, if any art is to be developed, it will inevitably face the contemporary, the world, and the future; traditional opera is no exception, not to mention the traditional opera from the contemporary audience feedback on its performance, find themselves Can not adapt to the development of the times. In order to rejuvenate the drama,