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窦修林(本刊编辑,以下简称“窦”):你是中文出身,在中国古典文学与美学方面有特别深的造诣,这方面的蒙养很明显地反映在你的作品中,故你的书法文人气比较足。也就是说在二王体系和南北朝魏碑这两者之间你已经有了取舍。二王体系以秀逸空灵见长,南北朝魏碑以朴拙雄浑为胜,这两者可以说是中国古典书法艺术风格的缩影,但在形态上却是两级分化发展的。对此你是如何认识的?郑长安(青年书法家,以下简称“郑”):谢谢你的表扬。我大学学的专业是汉语言文学,四年的中文学习,让我对古今中外的文学有了比较全面的了解,
Dou Xiu-lin (Editorial, hereinafter referred to as “sinus”): You are a Chinese origin, have a profound knowledge of classical Chinese literature and aesthetics, in this area is clearly reflected in your work, so you The popularity of calligraphy more foot. That is to say, you already have a choice between the two kings system and the North and the South Wei Bei. The two kings system, known as Xiuyi, was outstanding. The North and the South Dynasties were steeped in simplicity and forcefulness. Both can be described as a microcosm of the classical Chinese calligraphy style, but they are morphologically divided into two levels. How do you know this? Zheng Chang’an (young calligrapher, hereinafter referred to as “Zheng”): Thank you for your compliment. My college major is Chinese language and literature, four years of Chinese learning, let me have a more comprehensive understanding of ancient and modern literature at home and abroad,