论文部分内容阅读
《关于爱情归宿的最新观念》结束时,孟京辉若有所思地站在那儿看着演员轮番谢幕,他微胖的脸流露出志得意满的表情。 孟氏戏剧——塑造观众 1989年,孟京辉与几个朋友挤在中央戏剧学院杂乱的学生宿合各自为政,有人听歌,有人搂着女朋友梦呓,孟京辉与人争执先锋戏剧值不值,有没有戏,争到最后大伙达成共识:“我们要搞戏剧,我们要改变戏剧。”孟京辉说。 孟氏改变中国话剧的第一步,是从对现实主义戏剧的颠覆开
“At the end of the latest idea about the destination of love,” Meng Jinghui thoughtfully stood watching the actor turn the curtain call, his slightly fat face showing a smug expression. Meng drama - shaping the audience In 1989, Meng Jinghui and a few friends crowded in the Central Academy of Drama messy students confrontation, some people listen to songs, someone hugged his girlfriend Meng Yao, Meng Jinghui dispute with the vanguard of the drama is worth, there is no Play, to reach the final consensus reached: “We want to engage in drama, we want to change the drama.” Meng Jinghui said. The first step in the change of Chinese drama by Meng was from the overthrow of the realistic drama