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近些年来,随着社会对青年的日益关注,青年题材影片也日趋增多。然而,青年观众对银幕上的青年形象却难以认同,许多影片仍拘泥于一般性的表现。创作思想仍然是社会道德判断先于对存在自身判断的倾向,人物多趋单层面,即使出现一些较为复杂的人物,如《城市假面舞会》中的罗汉,也存有一种人为的拚贴感。固然,电影有其教育作用,尤其是对青年的引导。然而,这必须建立在对青年的全方位认识和理解的基础上。往往,社会现象本身就有其存在价值和审美价值,对青年的认识既不
In recent years, with the growing concern of the community for young people, there has been an increase in the number of young theme films. However, the young audience hardly recognize the image of young people on the screen, and many films still adhere to the general performance. Creative thinking is still the tendency of social moral judgment prior to the existence of their own judgment, the characters tend to be more single-level, even if there are some more complex characters, such as “City Masquerade” Lohan, there is also a kind of artificial collage . Of course, the film has its educational function, especially for young people. However, this must be based on a comprehensive understanding and understanding of young people. Often, the social phenomenon itself has its own existence value and aesthetic value. The understanding of the youth is neither