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青年教师冯绪民同志于一九八九年四月初向大家展示了自己的一系列作品,给人留下了深刻的印象。最难得者:作品无媚俗之气。尤其是他那些用废石膏模子所加工成的雕刻,特别雅致。正如他自己所说:“这是我的第一次展览,我不知该打出什么旗号。”这位青年教师诚实地用作品证明了自己的语言。他的雕刻既没有弄潮,又没有去迎合画商。只是一味地追求着白色形体之间的微妙变化,在雕刻过程中体验着愉悦的手感。在创作过程中他定然是“好之”,“乐之”的。他在满足自己创作欲望的同时,也给了观众以欣赏的快感。他的雕塑作品的确没有硬要说明什么,也不是给什么“新观念”以注释。我们只从
Comrade Feng Xu-min, a young teacher, left a deep impression on his series of works in early April 1989. The most difficult person: works without vulgar gas. In particular, those engravings made of waste plaster molds are particularly elegant. As he himself said: “This is my first exhibition, and I do not know what to do with it.” The young teacher honestly used his work to prove his own language. His engraving is neither messy nor catered for. Just blind pursuit of subtle changes between the white body, experience the pleasure of the carving process. In the process of creation he is certainly “good”, “happy”. While satisfying his creative desires, he also gives the audience an appreciation of pleasure. His sculptures did not insist on what they meant, nor did they give a comment on what the “new concept” was. We only from