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二罗馬戏剧理论罗馬的戏剧和戏剧理論,不及希腊发达。罗馬戏剧起源于庆祝丰收的典礼,那时村民盛服化装,表演歌舞。約在公元前四世紀时,逐漸形成杂剧(Satura)——用对白和歌舞表演簡单滑稽的情节。在公元前三世纪时,出现民間滑稽喜剧亚特兰那(Atallana)。公元前二四○年,希腊脫籍奴隶安德罗尼柯斯(Audronicus,約公元前280—204)翻譯希腊悲剧和喜剧井旦演出,这就使罗馬戏剧走上一个新的阶段。罗馬剧作家最初摹仿希腊,后来逐步改造而有某种民族特色。喜剧方面成就較高。普劳图斯(Plautus,公元前220—168)将希腊喜剧和罗馬民間喜剧亚特兰那結合起来,受到平民热烈欢迎。罗馬喜剧艺术并不受到貴族重视,演员都是脫籍奴隶或奴隶,社会地位极低,演出没有固定场所,直到公元前五五年至五二年间,罗馬才建筑一所石造剧场。在戏剧理論方面,直到罗馬内
Roman theater theory Roman theater and drama theory, less than the Greek developed. Roman theater originated in the celebration of the harvest, when the villagers dressed in costumes, performing song and dance. About the fourth century BC, the gradual formation of the drama (Satura) - simple and funny plot with dialogue and song and dance performances. At the 3rd century BC, a folk comedy called Atallana appeared. In 240 BC, the Greek slave-translator Andronicus (Audronicus, circa 280-204 BC) translated the Greek tragedy and comedy performance, which took Roman theater to a new stage. Roman playwright originally imitated Greece, and then gradually transformed with some ethnic characteristics. Achievements comedy higher. Plautus (220-168 BCE) combined Greek comedies with roman folk comedy Atlanta, and was warmly welcomed by civilians. Roman comic art is not valued by aristocrats. The actors are either slave-slaves or slaves. Their social status is extremely low. There is no fixed place for performances. It was not until Rome between 1950 and 1982 that a stone-built theater was built. In the theory of theater, until Rome