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走下“神坛”以后进入八十年代,电视剧创作也同文学创作一样,突破了诸多“禁区”,其中尤为可喜的,是在荧屏上接二连三地出现了活跃在各个革命历史时期的真实可信、有血有肉的领袖人物形象。为拨乱反正,本着唯物主义创作原则,作者让领袖走下“神坛”,还原其也有七情六欲,也食人间烟火的本来面貌,切切实实做出了很多努力,确实使观众心目中的“伟人”,不仅可敬可仰,同时也可亲可近,学而可及了。比如即使反映重大题材,革命家们也不是总气壮山河,出口成篇,随时摆出一付挥手前进的雄姿,而是也与群众同呼吸共命运,也有亲人遇难的眼泪,也经历
After going down from the “altar” into the 1980s, the creation of TV series is the same as that of literary creation. It broke through many “restricted areas”. Particularly encouraging was the appearance of one after another on the screen one after another in various revolutionary historical periods , Flesh-and-blood leader image. In order to mobilize the order anyway, based on the principle of materialist creation, the author allowed the leader to step down from the “altar” and restore his own feelings of sentiments and emotions as well as the original appearance of human fireworks. He did so in a down-to-earth manner and did make the “great man ”, Not only respect can Yang, but also close, learn and accessible. For example, even if major themes are reflected, the revolutionaries are not always able to make great strides in their mountains and rivers. They have been exporting articles and ready to go forward with their majestic waving gestures. They have also shared the same fate with the masses and tears from their loved ones.