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书法是临摹的艺术,临摹是技术的也是物性的,纵观历代名家无一不是前承他们祖先的艺术成果,继承的越多、拿来的越多就越有征服力,就是通常我们说的源头、来路,根柢、根据。否则就是没有源头、来路,根柢、根据。临摹是积累,集腋成裘,聚沙成塔,哲学上讲由量变到质变,我们都在这个由量变到质变的积累过程中。书法的源头在魏晋,魏晋是书法帖学的滥觞,自王氏父子以下又产生了虞世南、褚遂良、颜真卿、柳公权、苏东坡、
Calligraphy is the art of copying, and copying is both technical and physical. Taking a broad view of all the famous masters of the ages as the result of the artistic achievement of their ancestors, the more they inherit, the more they are brought into conquest, the more commonly we say Source, origin, root cause, according to. Otherwise, there is no source, origin, foundation, basis. Copy is accumulated, set armpit into Qiu, Ju Sha into a tower, philosophy from quantitative to qualitative change, we are in this quantitative change to qualitative change in the accumulation process. The origin of calligraphy in the Wei and Jin Dynasties, Wei and Jin is the beginning of the calligraphy calligraphy, since Wang’s father and son also produced Yu Shinan, Chu Sui-liang, Yan Zhenqing, Liu Gongquan, Su Dongpo,