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金属板块、工业部件、铆接手法、巨型的钢体结构……乔纳森的作品折射出对工业因素的高度重视。作为“二战”后美国最具 代表性的雕塑家,乔纳森的作品每次亮相,生活在钢筋水泥丛林里的拥趸们都是一片赞誉。 “走向天空”是具象的,但同时又是诡谲的。很多观众发出疑问--这是人类向宇宙(空间)挑战的象征吗,是隐喻世界环境问 题日益严重吗…… 在西方,雕塑正在成为喜爱艺术的人们谈论的焦点,甚至被看做是一切新思想的竞技场,以至于几乎每一种极端的前卫运动形 式都将自己冠以“雕塑”之称,让“不明就里”的观者独自揣测。这或许正是现代新材料艺术的力量--让人在材料与体量的转变中
Metal plates, industrial components, riveting, massive steel structures ... Jonathan’s work reflects the high regard for industry. As the most representative sculptor in the United States after World War II, every time Jonathan’s work is presented, fans who live in the reinforced concrete jungle are all acclaimed. “Going to the sky ” is concrete, but at the same time it is treacherous. Many spectators question this - is this a symbol of humankind’s challenge to the universe (space)? Is it a metaphor for the growing environmental problems in the world? ... In the West, sculptures are becoming the focus of discussion among people who love the arts, even as everything new The arena of thought so that almost every extreme form of avant-garde movement names itself “sculptural” and allows the viewer of “unknown” to speculate alone. This is perhaps the power of modern new material art - a shift in material and mass