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粤剧精品推动本土文化走向全国我国是个地域辽阔、多民族和谐共处的国度。不同的地域、不同的民族,都有扎根于本土、世代传承、有着浓厚民族特色,地域风格的本土文化。粤剧作为广东本土文化的代表,对外来文化从来不抗拒并持开放包容的态度。在明代建立初期,粤剧对外江戏各种表演元素的精华尽量吸收,为我所用。戏剧大师欧阳予倩对粤剧的兼收并蓄的做法十分赞赏:“粤剧运用不属于梆黄的曲调,究竟有多少种,没有统计过,也无法统计,总之为数很多,没有哪一种曲调拿不进来,真是古今中外,信手拈来、任意裁剪,运用之灵活自由,不是个中人很难想象。”粤剧大师红线女
Cantonese opera boutique to promote local culture to the nation China is a vast territory, multi-ethnic harmony of the country. Different regions and different ethnic groups have their own local culture that is rooted in the local community and inherited from generation to generation with a strong ethnic characteristic and a regional style. As the representative of Guangdong native culture, Cantonese opera never resist and hold an open and tolerant attitude towards the foreign culture. In the early days of the Ming Dynasty, the essence of various performances of Cantonese opera and foreign opera was absorbed as much as I could. Ouyang Yuqian, the dramatist of the opera, praised the eclectic practice of Cantonese opera very much: “Cantonese opera does not use the tunes that are not part of the Huang Huang. There are not many kinds of statistics, no statistics and no statistics. In short, there are not many melodies , Really ancient and modern, come in handy, arbitrarily tailored, flexible use of freedom, not a man hard to imagine. ”Cantonese opera master red line female